Nigeria and Ghana Send Four Films to Toronto Film Festival Across Major Programmes
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West African cinema is taking a bigger bow at TIFF 2026: three Nigerian films, including a Lagos-set adaptation of "Mrs Dalloway" starring Sophie Okonedo and David Oyelowo, and a Ghanaian debut about Accra's market porters are screening across four programmes.
Four West African films are screening at the 2026 Toronto International Film Festival, spread across four of the festival's main programmes. Leading the pack is "Clarissa," directed by twin filmmakers Arie and Chuko Esiri, a contemporary Lagos-set adaptation of Virginia Woolf's "Mrs Dalloway" starring Sophie Okonedo and David Oyelowo. The film screens in the festival's Special Presentations programme ahead of a US theatrical release in December through NEON.
In the Centrepiece programme, EbonyLife's "The Secret Lives of Baba Segi's Wives," directed by Daniel Oriahi and adapting Lola Shoneyin's novel about a polygamist household, is having its world premiere with Odunlade Adekola and Mercy Aigbe leading the cast; a Nigerian theatrical release is planned for December. A third Nigerian film, Kaelo Iyizoba's "The Spectacular Death of Prisca," described as "a love letter to Nollywood" and starring Genoveva Umeh and Rita Dominic, world-premieres in the Short Cuts programme as a proof of concept for a planned feature.
Ghana's entry, "Zjili: A Story of Sisterhood and The Burdens of Excess," directed by Christine Boateng and Hajara Musah Chambas, is having its world premiere in the Discovery programme. The debut feature follows the lives of kayayei, the women and girls who work as market porters in Accra, and marks one of the more prominent Ghanaian showings at TIFF in recent years.
Industry observers point to the four-film slate as evidence of West African cinema's deepening presence at major international festivals, coinciding with TIFF's inaugural market initiative aimed at connecting African productions with international distributors. For Liberia's own small but growing film community, the showing offers a regional benchmark: Nigerian and Ghanaian productions increasingly treat top-tier festivals as a normal step rather than a rare exception.